Following behind the yachts racing around the Isle of Wight last weekend I thought about why island living has always appealed to me despite the obvious inconveniences.
A miniature version of anything has the potential to beguile just by virtue of its size; think miniature art works, humming birds, wild strawberries or those tiny handbags which were in fashion last year. At the same time all that twee tininess can be frustrating, think miniature bottles of alcohol or stupidly small nouveau cuisine.
The Round the Island Race, which takes place this Saturday 1st July, is a thrilling spectacle and one of the high lights of living on the island. As a non-sailor Karen’s perk is following the race by car and stopping off at strategic points for strengthening with coffee, lunch or ice cream.
Who doesn’t love to wander through a fresh food market? The strange and colourful species, the exotic theatrical vendors and the vague horror of the smells and unidentified slime underfoot. The wet market is a daily pleasure and a rite of passage for anyone lucky enough to live nearby.
Its Art Fair time in Hong Kong again.
Of course I love the idea that lots of people aspire to own real art. Part of the reason I am passionate about print making is because I like the democracy of multiple images meaning prices can be lower and more accessible to buyers. However Fine Art printmakers get all hot under the apron when they see galleries selling Fine Art Prints, all convincingly signed and numbered, which are not true originals but reproductions. It may be difficult for the uninitiated to understand the difference especially when galleries themselves are keen to blur the distinctions, and in some cases the people working there are quite uncertain themselves.
Here is my cents worth;
I am often asked if lino-cutting involves some sort of brain gymnastics because of the idea that working with the image in reverse seems to imply a need for slightly deviant thinking. The back-to-frontness of relief printing is nothing however (unless you are using text), compared to the terror which strikes beginner printers when they have to think in coloured layers which happens with multi plate prints.
I am a multi-disciplinary artist, focused on collage, photomontage and painting. I first came to Hong Kong with a great friend from University who grew up here. We did a two month work placement for the amazing Lindsey Macalister at the Youth Arts Festival and a fabulous costume designer (Roberto Conti), who had us making 18th Century wigs, horses heads and dyeing ballerina’s leotards. It was a whirlwind of experiences and I fell in love with Hong Kong and the creative energy I felt then, and still do. I came back to help set up an art school the day I’d finished my degree and two years after that I set up my own art school Chameleon Workshop which I ran for 11 years before changing the business to make room for my own art.